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tutorials

hourglass at sunset: new block tutorial

Hourglass Sunset by Leland Ave Studios/Kim SoperThanks for joining me on the 2016 Paintbrush Studio New Block Blog Hop! This hop’s palette (from their new line of solids Painter’s Palette) was inspired by an ocean sunset, and this block takes advantage of that theme using an easy-peasy “hourglass” foundation — with a twist! Let’s get started!

Supplies:

Hourglass Sunset by Leland Ave Studios/Kim Soper(1) 7 1/4″ square in Coral

(1) 7 1/4″ square in Daydream

(1) 7 1/4″ square in Peach

(1) 7 1/4″ square in Midnight

(1) 5 1/2″ square in White

You will also need a rotary cutter, self healing mat, ruler and a pen for marking.  All seam allowances are 1/4″. Unfinished block will measure 12 1/2″ square.

The How-To:

Step 1. Make Half-Square Triangles.

Hourglass Sunset by Leland Ave Studios/Kim SoperPlace the Peach square directly on top of the Coral square (rights sides together). Similarly, place the Daydream square directly on top of the Midnight square. Using your pen, draw a diagonal line from corner to corner on the back side of the Peach and Daydream squares.

Hourglass Sunset by Leland Ave Studios/Kim Soper

Sew a seam 1/4″ on either side of the marked diagonal line. Repeat for both squares.

Hourglass Sunset by Leland Ave Studios/Kim Soper

Cut each of the sewn pairs on the marked line.

Hourglass Sunset by Leland Ave Studios/Kim Soper

Press the seams open.

 

Step 2. Make the Hourglasses.

Hourglass Sunset by Leland Ave Studios/Kim SoperOn the back of one of the half-square triangles (in each color), draw a diagonal line between the corners that are perpendicular to the seam.

Place the blocks right sides together making sure to match opposing colors on top of each other. (i.e., Peach will be on top of Coral/Coral on top of Peach. Midnight on top of Daydream/Daydream on top of Midnight).

Hourglass Sunset by Leland Ave Studios/Kim SoperSew a seam 1/4″ on either side of the marked diagonal line.

Hourglass Sunset by Leland Ave Studios/Kim SoperCut on the diagonal line.

Press seams open and square up each block to 6 1/2″.

 

Step 3: Mark and Slice the hourglasses.

Hourglass Sunset by Leland Ave Studios/Kim SoperPlace your hourglass blocks on the cutting mat in an arrangement that is pleasing to you. In my case, the Midnight triangles are on the top and bottom, and the Coral/Peach blocks are perpendicular to one another.

Hourglass Sunset by Leland Ave Studios/Kim SoperFind the 2 1/2″ line on your ruler, and place it on the center seam line of each hourglass block. Mark the diagonal line. Make sure before cutting that all of your diagonal lines meet to form a diamond.

Hourglass Sunset by Leland Ave Studios/Kim SoperCut on the marked lines.

 

Step 4: Cut and attach the white triangles.

Hourglass Sunset by Leland Ave Studios/Kim SoperMark your White square across one diagonal from corner to corner, and then do the same across the other diagonal. Slice the White square on the marked lines so that you have 4 triangles.

Hourglass Sunset by Leland Ave Studios/Kim SoperAttach a triangle to each of the hourglass blocks on the cut edge.

Hourglass Sunset by Leland Ave Studios/Kim Soper

Press seams open and square up the block to 6 1/2″.

Step 5: Assemble the block.

Hourglass Sunset by Leland Ave Studios/Kim SoperUsing your quarter inch seam, attach all four hourglass blocks so that the White triangles meet in the center to form a diamond, and the matching hourglass blocks are diagonal from one another.

And you are done! So easy! And if you’d like to see the layout as a whole quilt, I’ve got you covered:

Hourglass Sunset Quilt EQ7

I hope you’ve enjoyed this tutorial, and I appreciate you stopping by! And now for a giveaway!

Giveaway

Ocean Sunrise Palette

For a chance to win a half yard bundle of the Ocean Sunrise palette, please follow the Inspired by Fabric blog (either by email or blog reader) and leave a comment for Yvonne at Quilting Jet Girl. For a second entry, follow Paintbrush Studio on Instagram (@pbstudiofabrics) and let Yvonne know about it in a second comment. The giveaway is open to everyone (international entries inclued), and the giveaway will be open through Friday, April 1st at 11:59 pm EDT. Good luck!

Hourglass Sunset by Leland Ave Studios/Kim Soper

Please make sure to visit all of the other bloggers participating in the block hop (listed below). And a huge thanks to all of our hosts: Yvonne @Quilting Jet Girl, Cheryl @Meadow Mist Designs, and Stephanie @Late Night Quilter.

Host: Cheryl @Meadow Mist Designs

Kim @Leland Ave Studios
Andrea @The Sewing Fools
Cassandra @The (not so) Dramatic Life
Stephanie @Quilt’n Party
Irene @Patchwork and Pastry
Tish @Tish’s Adventures in Wonderland
Abby @Hashtag Quilt
Sarah @Smiles Too Loudly
Carrie @The Zen Quilter
Wanda @Wanda’s Life Sampler
Jayne @Twiggy and Opal

work in progress

out with the old, in with the new.

improv scraps by kim soper/leland ave studios


I’ve had a pile of WIPs in a basket in my sewing room for as long as I can remember. Not that this is a surprise, as most quilters do.

Every so often I would take these WIPs out. Mull over them. Possibly add something to them. And then quietly give up on them and stick them back in the basket.

The thing about these WIPs, unassuming as they are, is that they take up space. Both physical and mental clutter. And there is a certain amount of guilt associated with each one. The money spent on materials. The time spent on getting started. And the feeling that no work should be left incomplete.

And yet, there is a reason they remain endlessly “in-progress.” Perhaps the process became less interesting as the work progressed. Or the task of completing them required time or skill that we either don’t possess or we no longer want to dedicate to the project. And so they sit. Taking their toll, ever so silently, on our psyche.

The WIPs in this quilt were a little bit of all of the above. The improv pieced stars began in Victoria Findlay Wolfe’s 15 Minutes of Play class. I was too intimidated to finish the quilt we started that day, back in July 2013. So there they sat. I picked out the polka dot fabric with Victoria, specifically for that quilt, and I felt obligated to finish it just as we had planned.

The triangles were from an entire quilt I had cut using the E-Z triangle ruler, long before it became a sponsor for QuiltCon West. Except, I hadn’t read the directions. So I cut them ALL WRONG. An Entire Quilt Worth. I tried to sew them together despite my mistake. And none of the points were matching up. Tips of triangles were getting cut off. Not so E-Z as planned.  Sooooo I abandoned it; disappointed in myself and the wasted fabric.

The navy and polka dot stripe quilt was made because I was inspired by Maura Ambrose. I finally decided to use that fabric I had picked out with Victoria, and I thought for a noble cause. It was simple, it was pieced precisely, but it wasn’t really me. Because I was trying to be someone else — someone who makes perfectly simple quilts using perfectly simple hand-dyed organic fabrics. Of course it fell flat, as is bound to happen when being someone you’re not.

And finally, all of that glorious Doe fabric. Just waiting to become an Oodalolly quilt from Rachel Hauser’s Curves class. But I fell behind in the class, and with Oodalolly being the last project, well. . . it just never happened. I quit before I got past the second block, and moved on to other things.

You can see how bringing all of these perceived “failures” into one quilt that is utterly “me” has been cathartic. Not only am I clearing out the clutter from my sewing room, but I’m clearing out the guilt and the shame associated with each of these unfinished projects. It’s like a fresh start to move forward with new ideas that are entirely my own.

Will the WIP pile add up again some day? Probably. But for now, I’m starting 2016 with a clean slate, and it feels like the possibilities are endless!

Again, a very Happy New Year to you! My wish for us all: that the creative ideas from the universe find us and guide us to bring them to light in the new year ahead! Hooray 2016!

No longer a WIP, Leland Ave Studios

Linking up with Sew Cute Tuesday.

creativity

hell-o-o? it’s me. . .

2016 quilters planner kim soper/leland ave studios

I was wondering if after all these months you’d like to read. . .

Version 2Um, so, hiiiiiii. How are you? How were your holidays? Were they good? I’ve missed you. I hope (maybe?) you missed me, too? Whatcha been up to? I’ll tell you where we’ve been. We moved! Just a short move, really —  two miles down the road or so. But it took place in that short window of time between Halloween and Thanksgiving. So as soon as we (*ahem* I) got our heads above the boxes, it was time to prepare for the holidays. And before I knew it, I hadn’t sewn a thing in months! And, well, this being a sewing blog and all, there’s not much for me to talk about when I dont have sewing stuff to share! But I’m hoping to make things happen in 2016. I’m not exactly prepared to make a list of resolutions this year (we see how that ended up last year). But I am ready for whatever 2016 has to bring, and I have a new sewing studio to do it in!

I’ll share more as it gets into shape, but for now I’ll leave you with a sneak peek that I shared earlier on IG.

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Happy New Year, friends! I hope you’ll forgive me for the radio silence. I also hope this transition from 2015 into 2016 finds you in good health, good spirits and looking forward to a beautiful year to come!

tutorials

Fabri-Quilt New Block Blog Hop: Summer Perseid Block

IMG_4825Hi! And thanks for joining me on the 2015 Fabri-Quilt New Block Blog Hop! I’m calling this block the Summer Perseid, because the idea came to me after watching shooting stars on the dock of a lake one night this summer with my oldest son.

As this is the third day of the hop, you probably know the hop’s sponsor, Fabri-Quilt, who generously supplied all hop members with fat eighths of their Prairie Cloth Solids in a juicy Watermelon Summer Palette. This block uses small bits of all of the colors provided, but you can tailor it to your desires. The center can be all one color, the arms of the star can each be a different color, it’s really up to you! I’ve created this tutorial based on the photograph above, so let’s get started!

Supplies:

IMG_4791

(2) 7-1/4″ squares of lapis blue solid

(2)- 7-1/4″ squares of turquoise solid

(2)- 1″x 7″ strips of lapis blue solid

(4)- 3″ x 8″ strips of white solid

(4) – 1″ x 7″ strips of white solid

(1) – small 2-1/2″ triangle of fabric each in chartreuse, turquoise, coral, and aqua solid.

(1)-  pen of choice for marking, ruler, and rotary cutter.

Note: all seam allowances are 1/4″. This block is 12.5″ unfinished, or 12″ finished.

The How-To:

Step 1: Make the lapis blue and turquoise half-square triangles (HSTs).

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Place a lapis blue square directly on top of a turquoise square. Using your pen, draw a diagonal line from corner to corner on the back side of each lapis blue square.

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Sew a seam 1/4″ on either side of the marked diagonal line. Repeat for both squares. Cut each of the sewn pairs on the marked line.

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Press open and square up each to 6-1/2″ square.

Step 2: Sew the strips together.

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Sew a 1″ x 7″ white strip to either side of a 1″ x 7″ lapis blue strip as shown. Make two sets and press all seams open. Tip: I find it easier to press each seam as I sew, rather than waiting to press. It makes everything lie neat and flat when working with close-together seams.

Step 3: Mark and slice the HSTs.

IMG_4802 edit

Place two of your HSTs on your cutting mat as shown (turquoise on top, lapis blue on the bottom), and on each, mark a diagonal line from 4″ left of the bottom right corner to 4″ up from that same corner. Cut on the drawn line. Make sure you keep the triangle scraps that you cut off, as you will reuse these in a minute.

Step 4: Attach the strips and triangle scrap. Trim.

IMG_4805

Attach the sewn strips of white and lapis blue to the cut edge of the HSTs.

IMG_4806Then attach the cut lapis blue triangle scrap to the raw edge of the strips. Press all seams open. Using the original lapis blue edges of the HST as your guide, trim the existing fabric back to 6-1/2″ square.

IMG_4808

Step 5: Mark and slice the star arms.

IMG_4809 edit

Place the two striped HSTs on your cutting mat so that the white strips are angled in the bottom right corner. With your pen, draw a line from 2″ left of the bottom right corner to 1/2″ down from the top right corner  (as shown).

IMG_4810

Place your ruler on the diagonal line and cut.

IMG_4815

Draw the same diagonal line on the two, plain HSTs and cut.

Step 6: Sew and trim the star arms.

IMG_4811

Sew a 3″ x 8″ piece white fabric to the cut edge of each HST. Press seams open. Then using the original edges of the square, re-trim square to 6-1/2″ square. You will have two finished squares that look like the above, and two that look like the picture below.

IMG_4817

Step 7: Making the center diamond.

IMG_4812edit

Place your squares on the cutting mat so that the  star arm is in on the right side of the square, points up. On each square, slice a small angle (Tip: no more than 2″ from the corner on either side) from the bottom right corner of the star arm. How much or how little you cut is up to you! If you’d like all of your corners to meet perfectly, you can cut the same amount from each square. If you’d like your diamond to have a “wonky” effect, you can cut a slightly different amount or angle from each square. How you arrange it is up to you. I’ve cut a different color for each square, and chosen to make mine slightly wonky.

IMG_4814

IMG_4819

Sew a colored triangle to each cut edge. Press seams open and trim square to 6-1/2″.

Step 8: Assemble the block.

IMG_4820

Using your quarter inch seam, attach all four squares to form the shape of the star so that the colored diamond pieces meet in the center, and the striped blocks are diagonal from one another (as shown above).

IMG_4822

And there you have it! A Summer Perseid Block all your own! I hope you’ve enjoyed this tutorial, and I appreciate you stopping by! Now, for some fun stuff. . .


A FABRIC GIVEAWAY!

color-palette-3

 

For a chance to win your own half-yard bundle in Watermelon Summer Palette of Prairie Cloth Solids, visit Quilting Jet Girl and Inspired By Fabric for all of the details!

Please make sure to visit all of the other bloggers participating in the block hop (listed below). And a huge thanks to all of our hosts: Stephanie @Late Night Quilter’s , Cheryl @Meadow Mist Designs, Yvonne @Quilting Jet Girl and Terri Ann @Childlike Fascination.

Host – Stephanie @Late Night Quilter
Hannah @Modern Magnolia Studio
Cindy @Stitchin At Home
Abby @Hashtag Quilt
Lisa @Sunlight in Winter Quilts
Carrie @Chopping Block Quilts
Brianna @The Iron and Needle
Tish @Tish’s Adventures in Wonderland
Jan @The Colorful Fabriholic
Sarah @Smiles Too Loudly
Beth @Cooking Up Quilts
Leanne @Devoted Quilter
Liz @LizzyClips Design
Kim @Leland Ave Studios

Thanks again for stopping by!

finishes

a market street handbag for mom.

IMG_4771

I couldn’t resist making another Market Street Handbag by Kenzie Mac & Co. , this one for my mom. Originally I had intended to use some toiles, stripes and florals for her version, but I changed my mind when I came across Alison Glass‘s Ex Libris at my LQS.

Having made one of these bags before, I was able to concentrate on the finer details this time. I pieced together a panel of Art Theory between two strips of Botany Chambray. I quilted the entire bag in a diamond pattern using a thick gold variegated thread. And I was able to focus on the construction issues, too. As you can see above, my flat bottom bag is balancing on my deck’s handrail. . . something I have to admit. . .  you couldn’t do with the last bag I made!

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For the lining, I used Robert Kaufman’s Chambray and another Alison Glass print (Historical Fiction in Gold) for the pocket.

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I gave my mom the bag today for her birthday and she was thrilled with it! At first she was eyeing the original bag I’d made, but when she saw how carefully this one was constructed and how much the rainbow of colors popped against the neutral background fabrics, she was in love. I have to say, I really love it, too!

Linking up with Needle and Thread Thursday, Finish It Up Friday, and TGIFF. Have an awesome weekend!

finishes

market street handbag.

Market Street Handbag by lelandavestudios

Ready to go to market and pick up some fresh tomatoes to go with that basil!

I’m so happy to have a finish to share with you on this lovely Friday! My first version of the Market Street Handbag by Kenzie Mac & Co. is complete! It came together easily. It only took me three days to finish (not working consistently, mind you), so that says a lot; because I never finish anything that quickly. I used a toile, cotton-duck fabric, which has a linen-like appearance– but feels sturdier — more like a home dec weight. I love the way the natural look of the fabric works with the jute webbing (something I also purchased from Kenzie Mac).

The structure of the bag is created with ByAnnie’s Soft and Stable. Have you ever worked with it before? I hadn’t and I was concerned that it was going to be thick and difficult to maneuver under the presser foot. In the end, I can say it was pleasantly flexible and the needle moved easily through it. Even when I was sewing the binding on, other than the shape of the bag making it a challenge, getting through the layers was no more difficult than sewing the binding onto a quilt.

Market Street Handbag by lelandavestudios

This photo gives an accurate representation of the color of the cotton duck fabric.

If you do choose to make this pattern, there are a few tips I can give you. The first is that you should cut your lining to size (including the curve along the top edge of the purse) prior to edge stitching the pocket to the lining. This will save you from chopping the top of your pocket off (as I did!), if you attach it 2″ from the top lining edge per the instructions.

Another thing I am going to try when I make my next version (using these fabrics) is to use a wider binding. I’m hoping that it will help to cover any stitch lines that stray from the perfect 1/4″ mark when stitching the raw edges of the bag together. Especially since I still consider myself a novice when it comes to curves, I can really use another 1/4″ inch or so for margin of error.

Market Street Handbag by lelandavestudios

I love how the variegated thread looks like sunlight streaming through the trees in the right light!

Overall, I’m thrilled with this little tote, and I can’t wait to make another one using the knowledge I’ve gained from having made a practice version! Oh, and it’s way roomier than I expected — large enough to fit a bunch of library books, sewing supplies or even a laptop (if the strap were longer). Once I’ve mastered it, I see this as my go-to gift for the future!

Okay, that’s all for now. Hope you have a great weekend! And if you have any bag-making tips that you’d like to share with me, I’m all ears!

Linking up with Finish It Up Friday, TGIFF, and Can I Get a WHOOP WHOOP!